915 Free Artworks of Le Xixe Siècle

samuel putnam avery collection félix bracquemond les origines du monde. l'invention de la nature au xixe siècle works after jean-baptiste-camille corot les graveurs du dix-neuvième siècle (henri beraldi)prints of horses in the nypl jules michelin pantagruel (novel)falbalas et fanfreluches george barbier

Frontispiece for Works of La Rochefoucauld., 1854

samuel putnam avery collection

Frontispiece for New Works by Champfleury., 1854

samuel putnam avery collection

Frontispiece for the Satires of Amedée Marteau., 1854

samuel putnam avery collection goat riding in art

Unpublished title for Civic Poems by A. France., 1854

samuel putnam avery collection

Frontispiece vignette after Asselineau for] The Paradise of Men of Letters [by Ch. Asselineau.], 1854

samuel putnam avery collection

Charlotte de La Mothe Houdancourt, duchesse de Ventadour, circa 1717

18th-century portrait paintings of women, artist missing classicism,baroque painting

Thumbnail for The Eclipse, sonnet by Auguste Vacquerie., Félix Bracquemond, 1854

samuel putnam avery collection eclipse in art

René Binet, "Projet pour la Porte monumentale de l'Exposition universelle de 1900", 1898, René Binet

main entrance of the exposition universelle (1900)place de la concorde in art

La Société d'Acclimation., 1854

samuel putnam avery collection

[Une ville indienne.], 1852

samuel putnam avery collection

A Perch of Birds, Hector Giacomelli, circa 1880s

a connoisseur's portfolio the essence of line

Troupeau de porcs., 1868

les graveurs du dix-neuvième siècle (henri beraldi)samuel putnam avery collection

The village girls [after Courbet]., Félix Bracquemond

samuel putnam avery collection alfred cadart

Gustave Moreau, "Bertrand et Raton", 1879-1885, Gustave Moreau, between 1879 and 1885

bertrand et raton (cat. 743) by gustave moreau symbolism

Gabriel von Max, "Singe devant un squelette", vers 1900, Gabriel von Max, circa 1900

les origines du monde. l'invention de la nature au xixe siècle paintings of monkeys by gabriel von max

A Perch of Birds, Hector Giacomelli, circa 1880s

a connoisseur's portfolio the essence of line

How Panurge made the Englishman quinaud who argued by signs, book II, ch. XX., 1854

samuel putnam avery collection

A horseman wearing a turban, holding a flag., 1854

samuel putnam avery collection

[A peasant on a cart in a fold of land.], 1854

samuel putnam avery collection prints of horses in the nypl

How Panurge made the Englishman quinaud who argued by signs, book II, ch. XX., 1854

samuel putnam avery collection

Frontispiece for the Odes funambulesques, by Th. de Banville., 1854

samuel putnam avery collection

How Panurge takes advice from Epistemon, book III, ch. XXIIII., 1854

samuel putnam avery collection

[The speech made by Gallet to Picrochole, book I, ch. XXXI.], 1854

samuel putnam avery collection

A landscape, and in the top left a sort of tribune... (margins cleaned)., 1854

samuel putnam avery collection

[A man leaning on a balustrade, a woman passing in the background, evening effect in a park.], 1854

samuel putnam avery collection

Grippe-minaud Archduke of the Cats-Furrez, book V, ch. XI., 1854

samuel putnam avery collection

Frontispiece for the Odes funambulesques, by Th. de Banville., 1854

samuel putnam avery collection

[A man sitting at the foot of a tree, facing right.], 1854

samuel putnam avery collection

How Panurge drowned the merchant and the sheep at sea, book IV, ch. VIII., 1854

samuel putnam avery collection pantagruel

Of Gargantua's Adolescence, Book I, ch. XI., 1854

samuel putnam avery collection

[An old peasant presents a handful of hay to his donkey.], 1854

samuel putnam avery collection prints of donkeys

Papegaut, cardingaux, euesgaux, monagaux, book V, ch. III., 1854

samuel putnam avery collection

The [swan pond at] the Jardin des Plantes., 1854

historical images of the jardin des plantes de paris samuel putnam avery collection

[A landscape, and in the top left a sort of tribune... (dirty margins).], 1854

samuel putnam avery collection

Thumbnail on the title of The Blue Room, a short story dedicated to Madame de la Rhune., 1854

samuel putnam avery collection works by prosper mérimée

Of Gargantua's Adolescence, Book I, ch. XI., 1854

samuel putnam avery collection

The terrace of Villa Brancas., Marie Bracquemond, 1852

samuel putnam avery collection printing

How Panurge takes advice from Epistemon, book III, ch. XXIIII, 1854

samuel putnam avery collection

On the right, a kind of inn...., 1854

samuel putnam avery collection

Small card with the name Michelin., Jules Michelin, 1861

samuel putnam avery collection jules michelin

After the rain (Montgeron) (3rd state), Jules Michelin, 1861

samuel putnam avery collection jules michelin

On the same plate: Paris and Helen; Two ladies looking at a term in a park; A soldier and a woman., 1854

samuel putnam avery collection

Papegaut, cardingaux, euesgaux, monagaux, book V, ch. III., 1854

samuel putnam avery collection

Grippe-minaud Archduke of the Cats-Furrez, book V, ch. XI., 1854

samuel putnam avery collection

How Panurge fell in love with a high lady of Paris, book II, ch. XXI., 1854

samuel putnam avery collection

[The speech made by Gallet to Picrochole, book I, ch. XXXI.], 1854

samuel putnam avery collection

And all for the tripe, book IV, ch. LVII., 1854

samuel putnam avery collection

Frontispiece-title: the City of Paris, allegorical character., 1854

coats of arms of paris in art personifications of paris

Frontispiece for Popular Songs from the Provinces of France., 1854

samuel putnam avery collection

How Panurge drowned the merchant and the sheep at sea, book IV, ch. VIII., 1854

samuel putnam avery collection pantagruel (novel)

Two Japanese vases, in bronze., Félix Bracquemond, 1852

ceramics designed by félix bracquemond samuel putnam avery collection

Deer at the Fountain (published in L'Artiste)., 1854

samuel putnam avery collection deer in art

This meanwhile he pisses to let go of his belly, book I, ch. XXXVI., 1854

samuel putnam avery collection

And all for the tripe, book IV, ch. LVII., 1854

samuel putnam avery collection

Cerfs à la fontaine., 1854

samuel putnam avery collection deer in art

A Blanzat, Jules Michelin, 1861

samuel putnam avery collection jules michelin

[Un bouleau.], 1852

birches in art trees in paris

Ceroni after Petitot - Marie Louise d'Orléans, Queen of Spain, Jean Petitot, circa 1868

jean petitot luigi ceroni

How Panurge fell in love with a high lady of Paris, book II, ch. XXI., 1854

people in paris in art animals of paris

Two frontispieces on the same plate: Title for Les tréteaux, by Charles Monselet; Frontispiece for Oeuvres nouvelles by Champfleury., 1854

samuel putnam avery collection

Paul Gauguin, "Soyez mystérieuses", 1890, Paul Gauguin

post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivism sculptures by paul gauguin

Falbalas et Fanfreluches almanach des modes présentes, passées & futures pour 1922 Le Langage des Fleurs Tchéco-Slovaque XIXe siècle, RP-P-2009-1933-10, George Barbier, 1921 en/of 1922

falbalas et fanfreluches george barbier

Study after a painting by Turner.

bridges in art trains in art

Henry Darnley and Mary Stuart leaving the church after their wedding., Félix Bracquemond, 1854

samuel putnam avery collection history of marriage

Le lac [d'après Corot]., Félix Bracquemond, 1861

samuel putnam avery collection félix bracquemond

[Le gué, d'après Corot.], Félix Bracquemond, 1873

samuel putnam avery collection félix bracquemond

L'Académie, Tiburce de Mare

copies of paintings engraving

[A camp in Algeria, from a sketch by Horace Vernet.], 1857

prints of horses in the nypl romanticism

How Bridoye explains the reasons why he visited the trials which he decided by the lot of the dice, book III, ch. XL., 1854

samuel putnam avery collection

[The Escape from Lochleven Castle.], 1854

samuel putnam avery collection

How Panurge was made a lord of Salmiguondin and Dipsodie and ate his wheat as grass, book III, ch. II., 1854

samuel putnam avery collection

Frontispiece for New Works by Champfleury., 1854

samuel putnam avery collection

How a monk from Seuillé saved the abbey wall from the sack of the enemy, book I, ch. XXVIII., 1854

samuel putnam avery collection

[The same illustrations repeated on a second plate: Title-frontispiece; Paris and Helen; Two ladies looking at a term in a park; A soldier and a woman.], 1854

samuel putnam avery collection

How Pantagruel found Panurge whom he loved all his life, book II, ch. IX., 1854

samuel putnam avery collection pantagruel (novel)

How Panurge was made a lord of Salmiguondin and Dipsodie and ate his wheat as grass, book III, ch. II., 1854

samuel putnam avery collection

How Pantagruel found Panurge whom he loved all his life, book II, ch. IX., 1854

samuel putnam avery collection pantagruel (novel)

[The Escape from Lochleven Castle.], 1854

samuel putnam avery collection

How a monk from Seuillé saved the abbey wall from the sack of the enemy, book I, ch. XXVIII., 1854

samuel putnam avery collection

Mary Stuart and her women listening to a poet; The escape from Lochleven Castle (two vignettes on one sheet)., 1854

samuel putnam avery collection

How Bridoye explains the reasons why he visited the trials which he decided by the lot of the dice, book III, ch. XL., 1854

samuel putnam avery collection

[A small pond surrounded by trees.], 1854

samuel putnam avery collection

La présentation, Pierre-Georges Jeanniot, 1902

paintings in the musée des beaux-arts de la ville de paris pierre georges jeanniot

Philomèle et Progné., Félix Bracquemond, 1852

samuel putnam avery collection félix bracquemond

Good friends [according to Decamps]., Félix Bracquemond, 1856

samuel putnam avery collection etchings of horses

Study after a painting by Turner.

bridges in art trains in art

The woman with the tiger, after Corot.

samuel putnam avery collection engravings of tigers

The source, according to Ingres.

romanticism,neoclassicism nude pouring water

Landscape, after Rosalba Laurens., Félix Bracquemond

samuel putnam avery collection sheep in art

Sheep penned in, according to Brendel., circa 1858?

sheep in art dogs in art

Landscape (or The White Horse), after Corot., Félix Bracquemond, circa 1858?

samuel putnam avery collection prints of horses in the nypl

Falbalas et Fanfreluches almanach des modes présentes, passées & futures pour 1923, 2e année Le long du Missouri Amérique XIXe siècle, RP-P-2009-1932-6, George Barbier, 1922 en/of 1923

falbalas et fanfreluches george barbier

Le Docteur Tripier., Félix Bracquemond, 1852

samuel putnam avery collection félix bracquemond

Hoschedé, d'après nature., Félix Bracquemond, 1852

samuel putnam avery collection ernest hoschedé

Falbalas et Fanfreluches almanach des modes présentes, passées & futures pour 1922 Le Coq du Village Tchéco-Slovaque XIXe siècle, RP-P-2009-1933-8, George Barbier, 1921 en/of 1922

lithographs in the rijksmuseum amsterdam falbalas et fanfreluches

Calvary, after Decamps., Félix Bracquemond, circa 1856?

samuel putnam avery collection félix bracquemond

The Flute Player [after A. de Curzon.], Félix Bracquemond, 1854

samuel putnam avery collection félix bracquemond

Calvary, after Decamps., Félix Bracquemond, circa 1856?

samuel putnam avery collection félix bracquemond

The Flute Player [after A. de Curzon.], Félix Bracquemond, 1854

samuel putnam avery collection félix bracquemond

Saint Basil [dictating his doctrine, according to Herrera the Elder]., 1859

samuel putnam avery collection

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